Tag: Robert Fueston
Video 5 Question 5, Day 1, Berlin, 0219-0424

2:19
So I invited Justin Stein and Robert Fueston who is another researcher in Kentucky I believe that’s where he lives, and Paul and Susan Mitchell and Joyce, my partner. And we have formed a kind of archive team. And the good news is that Robert is actually a trained a librarian, with his focus in archival material, and Justin is a very good researcher… And then Paul and Susan and I just know a lot about the history of Reiki from Hawayo Takata’s time.
3:01
So it’s been a really interesting process to go through it and of course the researchers, Justin and Robert, want everything to be public instantly which freaks me out… So my questions is alway: «is this the right context in which to present this to the public?». And it’s been… we’ve had wonderful discussions, because we have very different points of view and very different ideas about what should happen. So Justin and Robert together have been privy to seeing some documents and so on that we’ve started to archive and digitalize, scanning into computers and so on. But I don’t intend for it to be exclusive necessarily, it’s just at this time it’s exclusive, because I don’t really know how to allow the public to be able to access these. So my next step is to find a place where actually scholars can access them in a way that feels appropriate to the material.
4:24

Video 50 Question 3, Day 2, Arizona, 0000-0202

0:00
Not really. For me what’s revolutionary and new maybe for you is just confirmation for me of what happened. So we went through and what has been really great with the Archive-Team is that we’ve been able to stitch together a history of her practice and so on that confirms and helps me remember all the kind of little points that I remember but putting them all together and connecting them. And that’s been really great.
0:42
We are pretty much finished with digitalizing all the archives, all the material. So we are now looking for a place to house the archives and we are really leaning more toward a university setting where the academics, all the people now and in the future who want to do research on Reiki and want to do research on how we would maybe call it the movement of Reiki, started and how it progressed through Hawayo Takata and also my time. So I think we are going with the university archive more than a museum archive. So that’s the last place we left it and one of our members is researching and connecting with the person who is going to accept the archive and we have all the boxes ready to go and they are all labelled and the contents are put on the box, so we have everything. All we need to do is to load them upon a truck and take them to California. So I’m hoping to do that this summer.
2:02

Video 50 Question 3, Day 2, Arizona, 0202-0413

2:02
And that would relieve me a lot because I feel that this has to…. this material has to be made available but I can’t deal with people arriving, you know here and looking through the boxes, and having to supervise them and ahh…just kind of gives me the willies. So I’m just really excited by this. And now this winter I’m starting to develop my own archives. So sorting things out, throwing away, you know, cancelled checks and stuff which I don’t really need in the archives and doing things that I need to do, because some of the stuff is in my head like I want to take all the files that I have, both computer- and E-mail-files of the masters that I’ve initiated and be able to match them to a photograph that I might have and digitalize this, like scan this into a digitalized record.
3:17
So there would be as thorough record as I could have of all the masters that I have initiated and their history with me and with the system. So that’s really exciting and I have lots of manuscripts of people’s research and their papers that they have written and I’d like to digitalize them and make the available in a kind of library online and there are lots and lots of things that I could do to help speed up the process of my archive, because my Reiki archive is going to be massive compared to my grandmother’s. So like instead of four boxes of pictures, it’s twelve.
4:13